I’m planning to create a small hollow form for my local club’s current challenge. However, my current tools are large and would require a larger hole than I want to leave.
So, I’m grinding two old Allen wrenches to provide one straight scraper and one bent scraper.
Then I’m making a handle for each: one from fig; one from elm.
Next week, I’ll create the hollow form.
In the last video I turned a set of stacking boxes. My boxes need an interesting lid for the top most box – one that will provide interest and enhance the boxes.
The Infinite Axis Chuck provides a solution. The lid is red oak finished with walnut oil then buffed. The oak was shaped initially with standard techniques with one important feature. I cut a mortise on the underside to serve as an expansion hold while the top side was tooled. This mortise later served as the gluing surface to mount the wood to the Inifinite Axis Chuck.
The tail stock provides a clear indicator of where the turning center will be. The ball and tenon is moved to select the center of a new turning. Only light cuts with a spindle gouge are required, followed by sanding.
I’ve added a new page to my web site to define woodturning terms. The goal is to provide clarity about woodturning styles. Here’s the link. Your feedback will be appreciated.
I repositioned the chuck five times. The design is unique and can never be exactly duplicated.
I glued up this red oak into a stave lamination some time ago when I turned a travel mug. At the time, I thought I’d be making another but then changed my mind. Since then this lamination has been in my shop, was part of moving to Utah, and is in the way. It is much like food left over from a sumptuous meal that is still in the refrigerator.
But it’s time to clean it out and enjoy it. Instead of another travel mug, I turned it into a set of stacking boxes finished with walnut oil. The set stands about nine inches tall and about 4 inches in diameter. Each box above the first is a lid to the box below it. Then I decorated another piece of wood to serve as the top lid. Each box is a slightly different diameter and a different height to accommodate different items, my wife may want to put in it.
To make this set of boxes, I had to fix a failed joint in the stair tread material. That joint was a factory joint. It’s a good thing it did not make it into a stairway. Then cut the lamination into sections and keep track of each to preserve grain orientation. I turned oak plugs to serve as the bottom for each box and the lid for the box below it.
It was a lot of tenon work with all the trial and error of fitting a tenon to a mortise – many times over.
I had a breakthrough when I needed to remove a flange of wood between the tenon serving as a bottom and the tenon opposite it (on the other side of the same piece of wood). Since it was also the wood riding on the face of my chuck jaws, I did not see, at first, how to remove the wood without damaging my tools or a very complicated process. The breakthrough was to cut a very small groove in the tenon serving as the base to the box. The sides of this tenon would be hidden once the bottom is glued into the sides. This groove then was sufficient for the dovetail jaws to grab. The gap that resulted was enough to remove the excess wood.
The lid is decorated using the Infinite Axis Chuck. That is the topic of next week’s video.
I was given this wood at a club meeting in Oregon. I don’t recall whether it was at Cascade Woodturners or Willamette Valley Woodturners. It is ugly but has some burl potential. I don’t know what species of wood it is.
At 11 inches in diameter, 4 inches tall and finished with walnut oil, it has turned out very nice despite worm holes, drying checks, spalting, rot, and a general bad smell.
It’s surprising how ugly a blank can be and still have such beauty inside awaiting an opportunity to emerge.
This one will be hard to beat.
I’m still exploring different ways to use the Infinite Axis Chuck. In this video, I turn twig vase or bud vase from apple limb wood finished with a mix of beeswax and mineral oil.
In eccentric turnings, having tail stock pressure provides both security to the wood and can be used to define axis offsets. However, if the turning is small or at least the top of the turning is small, tail stock adjustment is limited or cannot be used at all. To counter these issues, I turned a large plug with a tenon or dowel on one side. In use, the dowel or tenon is inserted into the neck of the vase giving it a temporary and removable top. With a large top, tail stock adjustments can be used and pressure maintained.
I believe it necessary to work from the top or tail stock end down the spindle. Otherwise, the greater mass of wood is on the other side of very thin wood from the drive center leading to one cause of spindle failure. Another cause is tail stock pressure greater than the spindle can withstand. Excess pressure is a tougher problem to solve since some pressure is desireable.
Please check my previous videos on how to make the egg chuck and then how to adapt it to become an Infinite Axis Chuck.
- Woodturning Jewelry With Infinite Axis Chuck
- Woodturn Simple Egg Chuck From PVC Fitting
- Woodturn My Eggs Easy Over Please
Many viewers noticed that I was sitting on a tall stool while turning last week’s project. Some needed help due to disabilities.
In this video, let’s discuss this issue and explore alternatives.
Please add your experiences and suggestions.
Since adapting the egg chuck into an Infinite Axis Chuck, I wanted to explore other ways that it can be used.
I used hot melt glue to fasten his piece of elm to the chuck’s tenon. Then working from the top down, I turned a series of coves and adjusted the axis a little bit with each cove. Each adjustment moved the axis between 90 and 120 degrees and increased offset from the original axis.
The finish is friction polish buffed.
This turning has no resemblance and no useful purpose. That means it must be pure art.
In this video, I adapt the egg chuck I demonstrated about a year ago. Instead of an egg, I turned a ball and socket tenon to fit the chuck. Then I used this new Infinite Axis chuck to turn a jewelry brooch or pin.
The pin is glued up from maple, walnut, honey locust, and padauk finished with friction polish. The brooch has three features requiring a skew axis.
Often in eccentric turning, the wood is shifted on a faceplate to cut in a feature. This is an example of a parallel axis. When the work is tilted so that the new axis is not parallel to the original turning axis or not perpendicular to the face of the project, this is a skew axis.
To adapt the egg chuck to become an infinite axis chuck, I turned a ball or sphere on the end of a piece of cedar. (Most any wood would do.) However, instead of forming the small end of an egg, I turned an extended tenon. This tenon must then fit thru a retaining ring and the threaded PVC fitting ring.
The retaining ring is HDPE, high density polyethylene, instead of wood due to the size of the center hole. The short grain of wood would crack and break with this small section. While turning the retaining ring a short tenon that fits the PVC ring serves as a mounting tenon to turn the reverse side of the plastic.
In this video, I’m trying out another project from the 2016 Utah Woodturning Symposium. Again, I credit Linda Ferber.
These are thin wood disks with decorations like buttons turned on the face. To turn these buttons, I used a very cheap, easily made chuck to fit my usual chuck. The chuck tilts the turning axis away from parallel. This gives the turning a unique look.
I turned a chunk of cedar round with dove tail tenons on both ends. Then at a chop saw, I clamped the wood to the saw and sawed a 20 degree cut. Then adjusted the cut to 10 degrees and trimmed the wood a little more. This yielded two chucks that I’ll call skew axis chucks. I used hot melt glue to mount wood disks to the chucks although I recommend double stick tape.
The brooch is turned first as a cylinder then about one quarter inch is parted off after cleaning up what will become the back side. Then the disk is flipped over and fastened back onto the cylinder it just came from. This mount enable the face to be trimmed and sanded. Then the disk is mounted yet again to one of the skew axis chucks in any desired offset from center. A button can then be very carefully cut and sanded. On some brooches, I offset the disk up to three times for different decorations.
Most brooches were apple wood. One was from a multi-wood blank from a previous project. Each was finished with shellac and buffed.
Afterwards, I glued on a finding from Fire Mountain Gems that allows the brooch to be either a necklace brooch or a pin.
I enjoyed the 2016 Utah Woodturning Symposium. I plan to soon turn my version of many projects and techniques I saw there. The inspiration for this one is Linda Ferber, who makes wood components to jewelry.
This pendant is hazelwood pruned from my back yard. I mounted it in my home made wood chuck jaws to turn a small button on its side. The wood was tilted to put the button on a different axis for more interest. After turning the button, I remounted the wood between centers. However, I also offset the turning axis toward the side with the button. As a result, as I turned a teardrop shape, the bark formed a natural edge border around the button. After finishing with shellac, I buffed this amazingly white wood and mounted a jump ring to connect it to a necklace.
It was a fun little project that I will do more with.